"ASBEST is our first joint production with ARD Degeto. How long can Momo hold on to his resolve not to become a criminal? While his girlfriend and his mother worry about the desperate inmate, clan boss Amar blackmails him hard: Only if Momo submits to him and starts dealing in prison he will grant "protection". His only support is the prison football team. His career as a professional football player, which he thought was secure, is suddenly out of reach instead, he has to cope with the tough prison system. The 19-year-old is facing nine years for a crime that his uncle Amar and his cousins boldly framed him for. The door slams shut, the key rattles: Momo now is alone in his nine square meter prison cell. The film was shot in Berlin and Brandenburg. In other roles are Lulu Hacke, David Kross, Anatole Taubman, Stipe Erceg, Uwe Preuss, Veysel Gelin, Ludwig Trepte, Jasmin Tabatabai, Wotan Wilke Möhring, Claudia Michelsen, Burak Yigit, Jan Georg Schütte, Detlev Buck, Tim Seyfi, Anna Bederke, Sönke Möhring, Frederick Lau, Nicolette Krebitz, Sabin Tambrea, Aaron Altaras, Christian Kahrmann, Alexander Beyer, Hubert Koundé, and the multi-talented Kida Khodr Ramadan. The lead role in ASBEST was taken by 20-year-old German rapper Xidir aka Koder Alian. Juri Sternburg wrote the screenplays based on an idea by Katja Eichinger. Suddenly he has to assert himself anew in a world that is completely foreign to him. At the center of the production is Momo, a young football talent whose career comes to an abrupt end when he suffers a robbery. This week, PANTALEON Films, a wholly owned film production subsidiary of PANTAFLIX AG (GSIN: A12UPJ, ISIN: DE000A12UPJ7), successfully completed shooting of the prison series ASBEST, which was produced for ARD Mediathek on behalf of ARD Degeto. Where development turnaround cycles previously took three months, the broadcaster can now have a new release in production everyday.PANTALEON Films successfully completes shooting of the ARD Mediathek series ASBEST by and with Kida Khodr Ramadan This, along with the new API-drive approach, has seen an increase in user engagement, with annual views on ARD Mediathek doubling from 50 million to 100 million, while the average time spent on the platform has increased from 20 minutes per session to 50.ĪRD has also been able to speed up delivery, testing new ideas and launching updates far faster than it previously could. The restructuring also involved moving 150 ARD products onto five platforms: ARD Mediathek for video content, ARD Audiothek for sound, Tagesschau for current affairs, Sportschau for sport, and KiKA for children’s programming. That enables us to focus on more value-driven development.” Malte says: “With Google Kubernetes Engine, we can scale to meet these peaks, and save money by scaling down when traffic subsides. The new infrastructure enables ARD to easily scale up or down to meet demand. ARD uses Apigee for API management, allowing easy network-wide distribution, and Firebase. We’ve rebuilt on Google Cloud to create better content, a better user experience, and a better service overall.”įor the final iteration of its infrastructure, ARD utilised Google Kubernetes Engines and operations tools for monitoring, as well as running managed MongoDB clusters and Memorystore for managed Redis. We didn’t have the technology or the digital-first mindset to catch up. On a daily basis, ARD produces around 250 hours of television and 1,500 hours of radio programming, but, with its video delivery platform running on an outdated infrastructure, the broadcaster had found it challenging to keep up with how users get their content.Īs a result, it chose Google Cloud to build a new platform in order to improve user experience worldwide and develop a European video-on-demand platform.ĪRD Online CTO Malte Blumberg commented: “When I joined ARD, the gap between the market and our offering was increasing. German public broadcaster ARD was founded in 1950 and has grown to have a budget of €6.9 billion, with over 22,000 employees and a network of nine regional broadcasters, along with international state-funded broadcaster Deutsche Welle.
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